中文组 户外教学

黑神话悟空作为最近社交媒体上大受关注的游戏，以此作为主题的讲座既有意义还十分生动。老师从黑神话悟空文化方面的传播，AI技术的发展等多个角度来讲解。黑神话悟空作为备受瞩目的3A大作，其意义绝对不仅限于游戏制作技术的突破，更是让很多外国人借此知道了中国的文化。讲座老师在介绍黑神话悟空的各种细节时，更是满满的骄傲。我的老家是山西，游戏里面的36个取景地使得山西旅游火爆全球，也让我真切感受到文化带动了经济发展。 

Nicole Chen

我对这个游戏并不怎么了解，然而在老师的悉心讲解下，我迅速被其奇幻、充满想象力的故事背景所吸引。游戏里无比逼真的画面取景以及细致的人物形象，彻底颠覆了我对当下人工智能在创作领域能力的认知，感受到了游戏行业蓬勃发展所带来的无限可能。

Elisa Yang

《黑神话·悟空》在我国取景72处，采用实景三维测绘技术，结合中国传统文化与现代游戏技术，展现了一个充满奇幻色彩的游戏世界。通过讲座，我进一步了解到未来AI对游戏产业的影响会体现于提升游戏体验，改进游戏开发和运营，推动行业创新以及带来新的挑战和争议。 看来未来的游戏会更加炫酷！

Cindy Yang

听完黑悟空取景讲座，深感震撼。了解到其取景背后的精心考量，那独特的山川、神秘的洞窟等场景，皆为呈现真实奇幻世界助力。从现实美景到游戏中的鲜活画面 每一帧都是一个团队精心做出来的，让我看到创作团队的用心，也更期待自己能亲身领略这绝美之境。

Maisy Ma

这次的讲座不仅让我收获了很多新知识，也让我把演讲的内容联系到了我自己的生活中，比如我对游戏的认知就有了很大的改变。我体会到，原来游戏不仅仅只是娱乐工具，而更是文化传播与交流的重要桥梁。我还深刻感受到技术与文化结合给游戏产业带来的新潜力，也期待在不远的未来能够看到更多和黑神话悟空类似，通过游戏和AI展示文化的作品。 

Ino Zhang

儿时曾经看得津津有味的《西游记》被做成了游戏，一上市便火遍全球。我，一个从没了解接触过游戏的人，也都略有耳闻。对于游戏，我一向是不感兴趣的。然而老师话峰一转，元宇宙这个概念便深深刻入了脑中。从未想过，原来在父亲电脑上所见到的水墨画般优雅，充满中式美学的游戏画面和效果竟是由AI 所作，因为我对AI的认知也仅仅停留在AI作画和ChatGPT中。讲座后我便时不时在想一个问题：“在AI没有爆火之时”人们对它的期望或许只代替廉价劳动力，未曾想如今AI开始代替了创造性的工作，比如作曲作画，而且能从中获得利润。

《黑神话：悟空》的爆火是中国文化的一种成功传播，也是东方美学在游戏的一种体现。游戏为中国，为《西游记》带来的影响是不可忽视的，但随着AI被更多的应用，其中的问题或许也值得我们深思。

Alice Zhang 

Chinese Field Trip

"Dark Myth: Wukong" has recently gained significant attention on social media as a game, making a lecture with this theme both meaningful and vivid. The teacher discussed the cultural dissemination of "Dark Myth: Wukong" and the development of AI technology from multiple perspectives. As a highly anticipated AAA title, its significance extends far beyond the breakthroughs in game production technology; it has also introduced many foreigners to Chinese culture. The lecturer was filled with pride when introducing various details of "Dark Myth: Wukong." My hometown is in Shanxi, and the 36 filming locations featured in the game have made Shanxi a global tourism hotspot, allowing me to truly feel how culture drives economic development.

Nicole Chen

I didn't know much about this game, but under the teacher's careful explanation, I was quickly captivated by its fantastical and imaginative storyline. The incredibly realistic scenery and meticulously detailed character images in the game completely overturned my perception of the capabilities of current artificial intelligence in the creative field, and I felt the infinite possibilities brought about by the thriving game industry.

Elisa Yang

"Dark Myth: Wukong" features 72 real-life locations in China, utilizing real-scene 3D mapping technology that combines traditional Chinese culture with modern gaming techniques to present a fantastical game world. Through the lecture, I gained a deeper understanding of how AI will impact the future of the gaming industry by enhancing the gaming experience, improving game development and operations, driving industry innovation, and presenting new challenges and debates. It seems that future games will be even more awesome!

Cindy Yang

After listening to the lecture on the filming locations of "Black Wukong," I was deeply impressed. I learned about the meticulous considerations behind the choice of locations, such as the unique mountains and rivers and mysterious caves, all of which contribute to the portrayal of an authentic and fantastical world. From the real-life beautiful scenes to the vivid images in the game, every frame is crafted with great care by the team, showing me their dedication and making me look forward to experiencing these breathtaking landscapes firsthand.       

                      Maisy Ma

This lecture not only provided me with a wealth of new knowledge but also allowed me to connect the content to my own life, such as significantly changing my perception of games. I realized that games are not just entertainment tools, but also an essential bridge for cultural dissemination and exchange. I also deeply felt the new potential that the combination of technology and culture brings to the gaming industry, and I look forward to seeing more works in the near future that showcase culture through games and AI, similar to "Black Myth: Wukong."

Ino Zhang

The "Journey to the West" that I used to watch with great interest as a child has been turned into a game, which became a global hit as soon as it was released. I, someone who has never been interested or involved in games, have also heard of it. I have always been uninterested in games. However, when the teacher shifted the topic, the concept of the metaverse was deeply etched into my mind. I never thought that the elegant, ink painting-like, and Chinese aesthetic game graphics and effects I saw on my father's computer were created by AI, as my understanding of AI was limited to AI art and ChatGPT. After the lecture, I kept pondering a question: "Before AI became popular," people's expectations of it might have been just to replace cheap labor, never expecting that AI would now start to take over creative work, such as composing music and painting, and even generate profits from it.

The huge success of "Black Myth: Wukong" is a successful dissemination of Chinese culture and a reflection of Eastern aesthetics in gaming. The impact of the game on China and the "Journey to the West" is undeniable, but as AI is applied more and more, the issues it raises may also be worth our deep contemplation.

Alice Zhang